Artists have preferred artist oil paint made with walnut oil for centuries!

This oil colour enables delicate passages of finely blended colour that will retain brilliance over time to make your art last in an attractive condition.

Oil colour made from walnut oil possesses a unique refractive index and non-yellowing nature. It produces a more naturally alive and brilliant colour, giving your work a fresher look.

In addition, walnut oil increases each colour's pigment, resulting in extraordinary richness, colour saturation, brilliance and tinting strength.

Oil Painting without Solvents Instruction

The best approach to solvent-free painting is to execute the painting in one application, thinning the colour with a small quantity of Walnut Oil or Walnut Alkyd Medium. For the most remarkable permanence, the colours should be applied thinly. When multiple layers of paint are required, the technique is quite simple if a few rules are remembered.

Fat over Lean - or flexible over inflexible. The first coat of colour should have little or no medium. Each successive layer should add slightly more oil or medium than the underlying coat.

Thick over Thin - Thicker layers of colour can be applied over thinner layers of paint. Often, cracking can occur when thin layers of colour are applied over thicker layers.

Note: Glazes used with appreciable quantities of the medium in exceptionally thin layers are an exception to this rule.

Slow over Fast - Slow-drying colours, such as Titanium White, Cadmium Red, etc., should be applied over faster-drying colours, such as Burnt Umber, to avoid cracking. In addition, sufficient time should be allowed for the underlying layer to dry thoroughly.

Use a sufficiently porous ground with "tooth"...oil colours adhered by mechanical adhesion. This requires a ground coat with some surface irregularity that the oil can sink into. Gesso should be applied thinly to preserve the surface's texture for the colour's adhesion.

Using the same medium throughout the painting will help avoid difficulties in the painting structure that can lead to cracking due to uneven drying rates.

Solvent-Free Brush Cleaning

To avoid solvents while cleaning, use Walnut Oil instead of turpentine or an odourless mineral spirit. Walnut oil is a natural vegetable oil that does not evaporate or remove essential oils from brushes and tools. It removes colour from brushes and tools as effectively as solvent.

To clean brushes while painting, keep two jars (one "dirty" and one "clean") filled with Walnut Oil - a small piece of screening can be held in the jar bottom to facilitate the removal of colour from the brush. As cleaning becomes necessary, dip your brush into the first jar of oil, rub it to dislodge any colour, and wipe the oil from the brush on the inside lip of the jar. Repeat a few times, then dip the brush into the second jar to remove any remaining colour. A final wipe on the inside jar lip to remove leftover oil completes the process.

Reminder: Immediately after use, dispose of contaminated waste in a sealed, water-filled metal container. If improperly discarded, rags, steel wool, or other waste may spontaneously combust when combined with vegetable drying oils and artists' products made with them.