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It is a deeper, warmer, slightly orange version of Naples Yellow. The French name is traditional.
Item #: 1039
Description: R&F Encaustic Block, Jaune Brillant 40ml
Jaune Brillant is a beautiful colour described
as a deeper, warmer, slightly orange version of Naples Yellow. The French name
adds a touch of tradition and sophistication to this unique hue. Classification: Synthetic Inorganic, Cadmium Chemical Composition: Cadmium (II)-sulfide Properties Cadmium Yellow is brilliant, dense, and opaque, with good tinting strength and high hiding power. It is the artist’s principal bright yellow and is available in light, medium, and dark shades. The deeper shades appear deep orange and have the greatest tinting strength. It is slow-drying in oil form and used in oil and watercolour form. It cannot be mixed with copper-based pigments. A clean Cadmium Orange is created when Cadmium Yellow is mixed with Cadmium Red. Hues vary by brand. Cadmium pigments have been partially replaced by azo pigments, which are similar in lightfastness to the cadmium colours, cheaper, and non-toxic. Cadmium Yellow is usually available in a pure grade or a cadmium-barium mix. This mix has the same permanence with a lower tinting strength. Permanence Cadmium Yellow is lightfast and permanent in most forms, but like most cadmium colours, it will fade in fresco or mural painting. The deeper shades are the most permanent, while the pale varieties have been known to fade with exposure to sunlight. Toxicity Cadmium Yellow is a known human carcinogen. It can be hazardous if chronically inhaled or ingested. History Cadmiums get their names from the Latin word cadmia, meaning zinc ore calamine, and the Greek word kadmeia, meaning Cadmean earth, first found near Thebes, the city founded by the Phoenician prince Cadmus. Metallic cadmium was discovered in 1817 by Friedrich Strohmeyer. Oil colours were first made from Cadmium Yellow pigments in 1819, replacing toxic Chrome (lead) Yellows. However, their production was delayed until 1840 due to the scarcity of cadmium metals. Landscape painters, such as Claude Monet, preferred Cadmium Yellow to the less expensive Chrome Yellow because of its higher chroma and greater purity of colour. Classification: Synthetic Inorganic Chemical Composition: Titanium dioxide Properties Titanium White is the most brilliant of the white pigments. It is considered an all-purpose oil colour that is useful in all techniques and the best all around white. Its masstone is neither warm nor cool, placing it between Lead White and Zinc White. It is less prone to cracking and yellowing than Lead White, but it still yellows easily. Titanium White dries slowly in oil form, more slowly than Lead White but more quickly than Zinc White. It is opaque in oil and acrylic forms and semi-opaque in watercolour form. This pigment has good chemical stability, and its tinting strength is superior to both Lead White and Zinc White. Permanence Titanium White has excellent permanence and lightfastness. Toxicity Titanium dioxide is highly stable and is regarded as completely non-toxic. Animal studies do not indicate that it is absorbed biologically, even after long periods of exposure. The primary safety concern is the inhalation of fine pigment dust particles. History Titanium is the ninth most abundant element in the Earth's crust. However, mineral deposits that are economical to mine are rare. Titanium dioxide was first discovered in 1821, although it could not be mass produced until 1919. Widespread use of the pigment began in the 1940s. Since that time, it has become the most commonly used white pigment. The name comes from the Latin word Titan, the name for the elder brother of Kronos and ancestor of the Titans, and from the Greek word tito, meaning day or sun. Classification: Synthetic Inorganic, Earth Chemical Composition: iron oxides (synthetic), iron oxide, silica, alumina, lime, and magnesia or hydrated iron oxide Properties Red iron oxide varies in hue and transparency, depending on hydration and slight impurities. Indian Red is a slightly duller, deep brick hue with a bluish undertone. It is very dense and opaque, with excellent tinting strength and covering power. It is dependable when mixed with all other permanent pigments and yields good flesh tints when mixed with Zinc White. It is the synthetic version of PR102, a pigment made from earth reds or natural red iron oxides, and the names applied to PR101 and PR102 often overlap. The synthetic red iron oxides have mostly replaced natural red iron oxides and are brighter, stronger, finer, and more permanent. Indian Red is the highest grade bluish shade. Light Red, English Red, and Venetian Red are yellowish shades. Mars Violet is a dull and subdued bluish or purplish oxide. Permanence Red iron oxide is very lightfast and has excellent permanence. Toxicity Red iron oxide has no significant hazards. History Natural red iron oxide comes from the mineral ore hematite, which the ancient Greeks called bloodstone from the word hema, meaning blood. Hematite is one of the oldest pigments, has been used by every major civilization, and was an essential mineral for medieval alchemists. It was not widely used in artists' materials until the 17th century and was not produced in large quantities until the 18th century. Classification: Synthetic Inorganic, cadmium Chemical Composition: Cadmium sulfide and cadmium selenide Properties Cadmium Orange was the first true orange, made by mixing Cadmium Yellow with Cadmium Red. It is a pure hue with excellent opacity and low toxicity compared with its predecessors. It also has very high hiding power. The deeper shades possess the greatest tinting strengths. Only the highest grades contain pure Cadmium Orange without barium mixed in it. Cadmium pigments have been partially replaced by azo pigments, which are similar in lightfastness to the cadmium colours, cheaper, and non-toxic. Permanence Cadmium Orange has excellent permanence, but like many cadmium pigments, it will fade in fresco or mural painting. The deeper varieties of this pigment are the most permanent. The paler varieties have been known to fade when exposed to sunlight. Toxicity Cadmium Orange is a known human carcinogen. It is highly toxic if inhaled and slightly toxic if ingested. History Cadmiums get their names from the Latin word cadmia, meaning zinc ore calamine, and the Greek word kadmeia, meaning Cadmean earth, first found near Thebes, the city founded by the Phoenician prince Cadmus. Metallic cadmium was discovered in 1817 by Friedrich Strohmeyer. It was used sparingly after its discovery due to the scarcity of cadmium metal. Classification: Synthetic Inorganic Chemical Composition: Zinc sulfide Properties Zinc Sulphide White is a semi-transparent yellowish-white pigment. Zinc sulphide and zinc oxide (PW4) are often combined to create a more natural white colour. Transparency increases as particle size decreases. When slight impurities are added, zinc sulphide has phosphorescent and electroluminescent properties. It is often used to manufacture fluorescent or glow-in-the-dark paints. Permanence Zinc Sulphide White has excellent permanence and lightfastness. Toxicity Zinc Sulphide is non-toxic, but ore deposits often contain lead. Traces of lead and other impurities may be present in pigment powders. Ingestion is not recommended. History Zinc sulphide, when combined with slight impurities, has phosphorescent properties. It is often used for invisible ink that glows with ultraviolet light and is also used to manufacture fluorescent paints.R&F Encaustic Paint Block - Jaune Brillant, 40 ml
Pigment Name: PY37-Cadmium Yellow
Pigment Name: PW6-Titanium White
Pigment Name: PR101-Red Iron Oxide
Pigment Name: PO20-Cadmium Orange
Pigment Name: PW7-Zinc Sulphide White
Size
120ml
Brand
R and F Encaustic Handmade Paints
Type of Store Credit value
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