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Like a green version of Indigo, Courbet Green is a sombre,
earthy green alongside other dark colours. It has a surprisingly blue
undertone. Carl Plansky of Williamsburg Art Materials developed it.
Item #: 2135
Description: R&F Oil Pigment Stick, Courbet Green 38ml
Like a green version of Indigo, it is a sombre, earthy green alongside other dark colours—a surprising blue undertone. Carl Plansky of Williamsburg Art Materials developed it. Classification: Inorganic, Cadmium Chemical Composition: Cadmium (II)-sulphide Properties Cadmium Yellow is brilliant, dense, and opaque, with good tinting strength and high hiding power. It is the artist’s principal bright yellow and is available in light, medium, and dark shades. The deeper shades appear deep orange and have the greatest tinting strength. It is slow-drying in oil and used in oil and watercolour forms. It cannot be mixed with copper-based pigments. A clean Cadmium Orange is created when Cadmium Yellow is mixed with Cadmium Red. Hues vary by brand. Cadmium pigments have been partially replaced by azo pigments, similar in lightfastness to the cadmium colours, cheaper, and non-toxic. Cadmium Yellow is usually available in a pure grade or a cadmium-barium mix. This mix has the same permanence with a lower tinting strength. Permanence Cadmium Yellow is lightfast and permanent in most forms, but like most cadmium colours, it will fade in fresco or mural painting. The deeper shades are the most permanent, while the pale varieties have been known to fade with exposure to sunlight. Toxicity Cadmium Yellow is a known human carcinogen. It can be hazardous if chronically inhaled or ingested. History Cadmiums get their names from the Latin word cadmium, meaning zinc ore calamine, and the Greek word kadmeia, meaning Cadmean earth, first found near Thebes, the city founded by the Phoenician prince Cadmus. Metallic cadmium was discovered in 1817 by Friedrich Strohmeyer. Oil colours were first made from Cadmium Yellow pigments in 1819, replacing toxic Chrome (lead) Yellows. However, their production was delayed until 1840 due to the scarcity of cadmium metals. Landscape painters, such as Claude Monet, preferred Cadmium Yellow to the less expensive Chrome Yellow because of its higher chroma and greater purity of colour. Classification: Earth Chemical Composition: Iron oxides Properties Burnt Sienna is a warm, mid-brown colour formed by burning the yellow-brown limonite clay called Raw Sienna. Due to the combination of its opaque, red-brown mass tone and its transparent, orangey undertone, it ranges from semi-opaque to semi-transparent. It is an excellent mixing complement for blues and greens, creating salmon or peach-coloured tints when mixed with white. It can help subdue bright colours and does not get chalky in dark mixtures. Permanence Burnt Sienna has good permanence and is considered one of the most versatile permanent pigments. Toxicity Burnt Sienna has no significant hazards. History Burnt Sienna has been used as a pigment since prehistoric times, but its current name came about during the Renaissance. It comes from Siena in Italy and is short for terra di Siena, meaning the earth of Siena. Sienna was famous for mining and producing earth pigments from the Renaissance until World War II. Due to the depletion of clay deposits in Tuscany, Italian siennas now come from other areas, including Sicily and Sardinia. Classification: Organic Chemical Composition: Beta copper phthalocyanine Properties Phthalo Blue PB15:3 is a structural variant of Phthalo Blue PB15 that produces more greenish tones. Permanence Phthalo Blues are lightfast, stable, and permanent for all paint uses. Due to their stability, they are currently used in inks, coatings, and many plastics and are considered a standard pigment in printing ink and the packaging industry. Toxicity Phthalo Blues have no significant hazards, although those made before 1982 contained some PCBs (polychlorinated biphenyls). History Chemists developed it using the trade name Monastral Blue; the organic blue dyestuff known as Phthalo Blue was presented as a pigment in November 1935 in London. Its discovery was accidental. The dark colour was observed in a kettle where a dye was made from a British dyestuff plant. The demand for such a pigment came from commercial printers who wanted a cyan to replace Prussian Blue.R&F Pigment Stick - Courbet Green, 38 ml
Pigment Name: PY37 Cadmium Yellow
Pigment Name: PBr7 Burnt Sienna
Pigment Name: PB15:3 Phthalo Blue
Size
120ml
Brand
R and F Encaustic Handmade Paints
Type of Store Credit value
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